Last week, I went over some things I’ve seen or heard from writers, critics and even the audience about the relationship between the creators and their audience. The contract, the acceptance of new words and even the idea that there were no new ideas. But, when addressing “no new ideas” I came to think about it and realize that there was still something to be said about that. I’ve already expressed my opinion on the concept that there were “no new ideas”, but there are facets that I didn’t think to talk about at the time.

Namely: Why is it that an idea that clearly has roots in conventions has managed to surpass others of its kind?

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