As I’ve been saying for many years to anyone that will listen: all things can be inspiration. You can learn from your life experiences, from the things you watch, the activities you take part in, and even the conversations you have from day to day. Your experience with your friends and families can teach you dialogue. Your favorite shows can give you an intuitive sense of pacing. Not everyone picks up on the fact they’re learning these things, but when they stop to pay attention it can become a tremendous tool to improving your craft. And most of us know that you should read and watch everything you can. But, sometimes, there are things that can greatly benefit you that would normally be overlooked – peculiar inspirations.
A lot of these things that I would call peculiar inspirations are things that you normally wouldn’t think of or would have a reason to avoid. My screenwriter friend objected to the notion of taking an acting class, but I still think to this day it helped me get into the minds of my characters. It probably sounded silly when I suggested the benefit of watching pro-wrestling, but there’s so much instantaneous audience reaction it’s hard not to see what the masses like. And today I come to recommend to you the benefits of role playing.
Of the many skills that you need as a writer, few are as rare and yet necessary as time management. The ability to sit down, make the best use of your time, and churn out productivity despite anything that might get in your way is not something I’ve found in many writers I’ve known. In fact, if I had to pinpoint one of the chief things that makes life hard on a writer on a consistent basis, it’d be a tough fight between confidence and time management. Even our most innocuous events are about time management – NaNoWriMo every November is basically a trial of our ability to just consistently put words to paper and not get distracted for a full month.
But managing our own time isn’t the only struggle we have as far as schedules go. There’s another to be considered that rarely gets brought up. We may talk around it, but it’s such an abstract for us that it ‘s not usually on our minds. Sure, we have to worry about how we use our own time effectively, but that’s not the only time that our work has to navigate through. Because, once the work is out to the public, we also hae to worry about the time of our audience… Continue reading Your Reader’s Time→
Over the last few years there’s been something of a shift in the culture around us. In a day and age where nostalgia properties reign supreme, it’s hard to imagine that the same properties no more than a few years ago were often considered deeply “niche”. Superheroes were considered low brow entertainment meant only for children and basement dwellers before suddenly becoming the dominant movie genre for the last several years. The Lord Of The Rings was once thought to be in the same category, familiar to children and to nerds who spent too much time playing Dungeons & Dragons. Then it became a phenomenon that a studio drove into the ground with an attempt to turn the “prequel” into a franchise unto itself.
Despite this, when you look at the entertainment industry you’ll often find that speculative fiction works still feel like they’re not allowed to sit at the adult table. There is a rush to get some works out even when they shouldn’t because that’s generally what the industry does when they don’t understand a current trend. But if you look at what gets the awards, the recognition, and the respect it becomes clear that we’re still kind of the oddballs. A few years ago I saw several entertainment industry insiders, particularly literary agents, say that sci-fi needed to minimize the “science” aspects to succeed – something they defined as a “new sci-fi”. You’d think the attitude is gone, but on multiple occasions I’ve encountered it again. For all intents and purposes, the current successes of speculative fiction are considered a temporary trend.
Yet, if put on the spot and asked to name a worldwide success in the last 20 years in any form of media, the first thing to spring to mind would probably be in one of those “niche genres”. That’s not true for everyone, and you may certainly associate “critical acclaim” with “worldwide success”, but when you think of a true phenomenon it will almost always be something that is marginalized by the same critics. Sometimes it’s argued to be a matter of “depth”, but some of the deepest stories that spring to mind are also within those genres. It’s a disconnect that sometimes makes you wonder:
As the days grow shorter and the nights grow longer, we enter a time of traditions. The holidays are soon to be upon us, the stores are filling with decorations, people are starting to complain about the fact that Christmas shopping season “seems to start earlier every year”. For writers, this is the time of year when people new and old take an opportunity to challenge themselves by trying to write a novel in one month’s time. National Novel Writing Month is so ingrained into the culture that I do not personally know a single writer or writing enthusiast in my life who hasn’t taken a swing at the challenge at least once. And, while I myself tend to avoid rushing through word counts to meet these sorts of challenges, I’ve always had a tradition of my own.
Though I was hesitant at first, I’ve made a point in years prior to throw out some writing advice in November and editing advice in December. Though it’s often joked that everyone becomes a “guru” on the internet, it was never my intention to do this. Only after being nudged by friends did I even try to. Hopefully, over the years, I’ve said something useful to someone who was just taking their first steps into writing novels. If not, at least I hope it was entertaining to watch me try. Given the projects I need to get done before January, I’m not entirely sure how I’ll do this year. But, at the very least, there’s one lesson to be shared that I’ve been pondering lately.
There are times when trying to articulate what I’m saying can be a little harder than others. I know what I want to convey but that’s sometimes more grey than people would like. It’s so easy, especially in the modern era, to be labeled as the enemy by everyone because your nuanced position happens to be neither firmly in the black or the white. Too often, the two sides are unable to see that there are a lot more people who stand somewhere in the middle. And, a little over a year ago, I walked right into one of those conversations accidentally while in search of something to post to my blog. Before I knew it, I was receiving a swath of comments and messages regarding copyright and the legality of fan-works.
As a result of the conversation, I’ve spent the last year writing a series of posts responding to a litany of polarized views. But in responding to so many varied opinions not everyone actually understood what points I was making at the time I was making them. From addressing the moral superiority some people thought they had, to pointing out that fair use isn’t quite as sturdy as people on the internet hope it to be – I’ve been trying my best to respond to everything while keeping my own position as clear as I could. And, frankly, despite my best efforts I know that something this complicated is almost impossible to keep clear in short order. In fact, I’d even go so far as to argue that’s by design.
One of the hardest parts of being involved in a creative profession is dealing with the forces that drag down your productivity. I’ve talked about it often enough in the past because, frankly, that’s what all of us do at some point or another. But generally when we talk about these things we talk about how to make sure you “stay motivated” and keep working even if it’s only a little at a time. We talk about the idea of taking regular breaks to keep fresh and not be frustrated. We talk about setting a reasonable word goal for the day. And this is all good… for the first draft. But the fact is that if you intend to go beyond simply a hobbyist and into making it a successful career (with luck) then there’s more to it than simply staying motivated throughout the initial writing – because the time in between those efforts is going to be taken up by other tasks you’re not too thrilled with either.
And this is the part where neurotic natures that slow your creative process can become downright damaging to your actual results. Sure, in theory the hardest part is to actually get something to the page because that’s a lot more complicated than most people acknowledge it to be. That part can be tiresome and ugly and leave you feeling exhausted and frustrated. But the thing about it is that writing and editing your work is only the first step and, sadly, is still miles away from actually getting it all where you need it to be. Even after publishing you’re not actually “done” and there is still a mountain to climb ahead of you before you reach anything resembling a peak. That mountain’s also pretty much the reason why writers fail, btw, so you better be ready to find a few bodies along the way.
As someone still climbing that mountain, I can’t tell you how to do all of the things that you need to do to get to the top. I can, however, tell you what I’ve learned about the pitfalls behind me and the ones I’m learning to cross right now. Every day I find myself learning something that I realized would have been a life saver years before, sometimes even downright messianic. I have, to put it lightly, learned everything I have through trial, error, and hilarious misfires. How bad were these misfires? I released my first book in the same month a well known bestselling author released one in the exact same genre. Lesson learned? Figure out what the big fish is doing in the pond before you jump in.
So know when I pass on today’s advice I’m not talking from a position of authority or judgment, I’m talking as someone who has done really stupid things and has learned in the process. And recently as I was trying to learn how to fix one of my problems I saw someone struggling with the same issue I was. Both of us had been struggling to keep up with the schedules we had set for ourselves, even adjusting for my recent misfortunes, and I’d just learned why from a third party. To put it bluntly, if you struggle with keeping up with your schedule… Continue reading Schedules and Valued Time→
There’s something I don’t talk about very often but is well worth mentioning right now: I am a fan of Shark Tank. Yes, for some weird ass reason I really like watching startups and entrepreneurs try to get money. It started during one of my trips to Canada when I realized how amused I was by their version, Dragon’s Den, and I’ve been watching it ever since. And it’s not just Shark Tank, I’m into similar shows about getting an investor on board too because I like to see people come up with ideas, business models, and strategies and see if they can get someone to buy in. I’ve long mentally registered it as a form of research because someday, theoretically, I hope to leverage my work into a more complex business and, as an independent, I’m basically a business unto myself. But the reason why I bring it up is because of one of the things that often gets cited as a reason why this guy decides not to invest in certain businesses.
Keven O’Leary is the designated asshole of the series in two countries, both as a Shark and as a Dragon. And generally the reason why is because he’s the most brass tax of anyone in the show. It doesn’t matter how good your life story is, it doesn’t matter if you cry, it doesn’t matter if you’re helping hungry children in a third world country – Kevin wants money, Kevin is going to get money, and Kevin will shit on you if he doesn’t think you can make money. It’s really kind of ironic that he’s basically the public representative of a mentality that drives most financial markets and yet we only hate him because they set up a production and cameras. Mitt Romney basically did the same thing through most of his life and he was a successful politician right up until he got caught calling half the country worthless. But one thing that Kevin has said about certain businesses really rings in my head today.
You see, Kevin doesn’t invest in things that center on a single person’s talent. He doesn’t put money behind the efforts of one person. If it’s not something that can be replicated without that person, he doesn’t give a shit. And, he explains it in the typical fashion of a reality TV villain: “You could be hit by a bus tomorrow and I would lose my investment.”
Creative professions are infamous for being full of people who are wrought with self-doubt. Though it’s easy to overlook it in others, I’ve rarely encountered someone who doesn’t have at least a little bit of doubt. Even the most famous of us will admit to having touches of imposter syndrome and a need to constantly reaffirm that they deserved to be where they are. We all know this on some level, so it’s not news to anyone. After all, if you’re here, it’s likely you followed a link about writers and you’ve felt it in yourself from time to time.
Frequently the advice that we get is about trying to simply be “okay” with the fact that voice exists and remember that the only way past it is to just keep going. The longer you keep doing what you’re doing, the more your chances of overcoming it will become. And that’s not terrible advice, you shouldn’t let it stop you even if it’s always there. But what I’ve long felt is that there’s something else that we really need to do with that voice to take ourselves to the next level… Continue reading Owning Your Doubts→
One of the interesting aspects of being a writer online is that you get to see a lot of other writers from all walks of life and philosophies. There are a lot of successful writers that everyone follows, of course, but beneath the big names you have a wide variety of people who have seen every level of success and have taken just as many roads to get there. And these people network a lot: having conversations and following each other on social media all the time. So one of the things you can really see if you follow enough people is how the writer community divides across certain lines. One of the lines I’ve noticed is pretty clear between three big schools of thought is just how likely your work is ever going to succeed.
The first school of thought you’ll find without much effort is the group that wants to cheer each other on. Being in a creative industry isn’t easy and a lot of people get discouraged, so there are people who will constantly be doing what they can to let you know you’re not alone. The second group, not pessimistic, will focus more on the grind of it all. These people will tell you can make it, but it’s uphill battle, it’s going to be exhausting, and you’re going to need a plan. Meanwhile, the third group is the one that says it’s basically pointless to try unless you get damn lucky or you’re supremely talented. And, of course, the people in the third group tend to think they’re among the chosen – even if the numbers don’t bear it out yet.
The third group is just a fact of life. I have a friend of mine who does script coverage who has had to deal with quite a few of them already in her young career. But one of the things I’ve noticed trending among several of these people lately is the idea that self-published authors were just too immature to follow the traditional publishing route. In their eyes, clearly, if your work was worthwhile then you would have gone to the publishers instead of trying to do it on your own. Either you weren’t confident enough in the work, were too arrogant to accept edits, or just weren’t patient enough to let the system do its work. According to this meme floating around, traditionally published works are better than self-published works by default. And at first I was just going to brush it off as their standard MO and not comment on it, but then a thought occurred to me:
Years ago, when people were still feeling out the eBook market, I had what we would call a “rough year” and made a couple rash decisions. The first was that I was going to self-publish a book because I’d seen numbers suggesting that my chances with and without a publisher were roughly about the same. This was during that hazy time back when the economy was crashing and no one was confident about anything – advances were down, advertising was shaky at best, and Amazon was starting to eat enough of the market to kill Borders (ironically thanks to a deal they made with Borders). So, of course, I wanted me a piece of that action.
But self-publishing lead to my second rash decision: I was going to start trying to promote myself – something that anyone who knows me can tell you was probably the bigger mistake of the two. My personality, in real life, is fairly conflict driven and yet introverted. For those of you doing the math, yeah, that generally means I’m my own worst enemy. So the idea of trying to be my own hype man is a bit like having Moriarty give the elevator pitch on Sherlock. Sure, he’s well aware of Holmes’ strengths, but he’s also invested in ruining the guy.
Still, I went about making content on a fairly regular basis by starting this blog. It wasn’t a vanity project as some critics have suggested, but an attempt to look like I know what I’m doing. Perhaps, with enough effort, I can find my audience and make those efforts worthwhile. And, despite everything, there is a benefit to the fact I second guess every move I make: I am constantly using this blog to do a self critique.
As such, I occasionally go back through old posts, old work, and old concepts to find new ways to hate on my younger self. It’s beneficial, despite how I make it sound, to take stock of what mistakes I made in the past and then learn from it. I know I’m not perfect (something we should all keep in mind), and that I have to constantly improve to progress. So I’m willing to give myself an honest performance evaluation every once in a while. There’s just one thing I tend to regret about these evaluations: I end up re-reading or remembering comments I’ve gotten on the internet.