One of the things that unites speculative fiction genres is dealing with a world that’s different from our own in ways that seem impossible. With fantasy the line is easily drawn, we know that there aren’t actually wizards or dragons no matter how much we want to believe. But with science fiction there’s always this grey area where we’re not entirely sure just what is and isn’t really possible. It’s that grey area that gives the genre its unique flavor as we explore worlds that seem completely insane but still have that vague sense of truth to them. In essence, when you describe something in science fiction as not possible you can always feel that lingering sense of “yet”.
It’s because of this that I’ve always been a big fan of Clarke’s laws – particularly the third law. According to Arthur C. Clarke, sci-fi author and futurist responsible for stories like 2001: A Space Odyssey, any technology sufficiently advanced is indistinguishable from magic. It may sound like an easy excuse for writing impossible things and calling them scientific, but when you think about the real world you realize it’s surprisingly accurate. To this day there are people who believe everything that NASA does is an elaborate hoax because, to them, everything NASA does seems impossible. Even people who do trust in science will doubt some things are possible just because a theory sounds insane despite evidence.
And one of the most interesting aspects of this concept as a speculative fiction writer is that some of those theories may shape our future. We can’t be entirely sure which will actually happen, but we know that the world of the future will be drastically different from the world of today. In fact, in academic circles they say that we may one day hit a “technological singularity” – a point at which technology has advanced so far that society would be near unrecognizable to us. Some people have a hard time wrapping their heads around that, but anyone who reads this right now is doing so through a device that would have been considered witchcraft a thousand years ago. So how is it that we can have experienced such dramatic changes and yet still feel like things can’t go further?
For that, we have to talk about swans… Continue reading Clarke, Singularities, And Swans
For the long time readers of this blog it shouldn’t come as any surprise that I’ve been watching Star Trek since I was a child and to this day still watch the reruns. In fact, in the last couple of years I’ve been watching the H&I “All Star Trek” block every day. As a result, though I don’t actually pay attention to every episode (I’ve seen all of them several times before), reruns of Star Trek have been running as the background track to my daily activities for quite a while. It’s habit, mostly, and every once in a while I’ll look up from whatever I’m doing to either watch one of my old favorites or come to recognize some of the flaws that I overlooked as a kid. The franchise taught me a lot about speculative fiction, for better or worse, and to this day I appreciate it for what it is – flaws and all.
One of the flaws that Trekkies debate constantly is just how consistent some aspects of the world actually are. Continuity is a big deal to the average nerd, and continuity tends to get stepped over often for the sake of an individual episode’s plot. As I’ve said in the past, while the little details may not necessarily matter to the plot, they’ll usually matter a lot more to your audience than you expect them to. And one of the greatest inconsistencies in Star Trek over the decades lies in the distances they travel and how fast they actually do it. Everyone is familiar with the idea of “Warp Speed” and has an understanding that it’s faster than light, but only Trekkies are aware that there are times when Warp Speed is sometimes less about the speed of light and more about the speed of plot.
“Oh god,” I can hear you saying, “a Trekkie is about to complain about numbers, just like mom warned me would happen.”
But when I bring this up I don’t bring it up as some jackass with no life who obsesses over the details of fictional worlds. No, I bring this up as a writer with no life who obsesses over the details of fictional worlds. You see, there’s something to be learned not only from the inconsistencies but the reaction those inconsistencies get. It’s been long known that Star Trek’s technobabble can be a barrier for entry for some audiences, but something often overlooked is that there are times when decisions are made, for the sake of technobabble, that actually run counter to their intention.
Because, when you really look at those numbers you realize something: the writers rarely had a clue of what any of them meant – so how could we? Continue reading The Ridiculous Scales Of SciFi
For those familiar with my work, you’ll know I like to blend genres. The two most obvious genres in the blend are science fiction and fantasy as I take creatures from legend and use science and sci-fi tropes to explain the various quirks those creatures have. But the third genre I threw into the mix for my books, arguably the most important, was a dash of mystery. Part of this was because the idea first came to me as: “what if vampires really existed, who would police them?” But the other aspect of the decision was that it felt like solving mysteries would give an opportunity to explore the world with a bit more depth. Every detail that my protagonist uncovers or considers while doing his job is, in turn, a detail the audience would learn about the same world. It felt like a natural fit.
So I’ve made it a point over the last several years to do my best to be a student of mystery. Though I always knew the basics and I think I’ve done reasonably well, it’s important to learn new tricks and make sure you’re ahead of your audience a touch. I even shared a few of these tricks in the past as writing tips on this blog. Despite seeming fairly straight forward and even common sense, it’s not as easy as it looks and I’ve known people who struggled with it. There are so many approaches and techniques to delivering a good mystery, and learning all of them and mastering them is something I know will improve my work as I carry on. But not every technique I come across is equal. Some of them are even bad. And one in particular, a fairly popular one depending on which medium you’re looking at, has always proven itself to create more problems than solutions (in fact, as I’ll get into later, that’s by design).
To put it bluntly: I hate the “mystery box”… Continue reading Mystery Boxes
Though it may sometimes take up too much of my time, one of the things I like to do most is to soak up random information and learn new things. I love to watch videos or read articles about science that are way above my pay grade. I’m fairly in tune with political debates and keep informed on current events around the world, particularly if they’re about countries I otherwise don’t know too much about. I’ve sat through discussions of psychology and sociology that really have very little to do with me but explain things about the world and the people in it. On the one hand, little if any of this is actually useful to me in my day to day life, but at the same time it’s something I can use to try to add more to my own work. As I’ve said many times before, anything can be used to inspire new writing – even if it’s sometimes peculiar.
And one of the fields I’m really fascinated in that I can see some real use to my work is psychology – particularly as it relates to the motives behind actions. This is great for figuring out character motivations, understanding why people think the way they do and what they may do because of it. If everyone is the hero of their own story, then how can people who see themselves as good do terrible things? If addicts know their addiction is hurting them, why can’t they stop? Besides being fascinating, it gives me insight that I hope to use to better my characters over time.
Though sometimes what really gets me is when I listen to these talks and it reflects a mirror back on myself. If finding out why someone else does something is useful, finding out why you do something yourself is invaluable. There are may facets to my personality which I’ve listened to someone take apart, but one facet in particular has gotten dissected more than any other in the talks I’ve listened to: why do we create art? Continue reading Monday Musing: Art And Purpose
As I’ve been saying for many years to anyone that will listen: all things can be inspiration. You can learn from your life experiences, from the things you watch, the activities you take part in, and even the conversations you have from day to day. Your experience with your friends and families can teach you dialogue. Your favorite shows can give you an intuitive sense of pacing. Not everyone picks up on the fact they’re learning these things, but when they stop to pay attention it can become a tremendous tool to improving your craft. And most of us know that you should read and watch everything you can. But, sometimes, there are things that can greatly benefit you that would normally be overlooked – peculiar inspirations.
A lot of these things that I would call peculiar inspirations are things that you normally wouldn’t think of or would have a reason to avoid. My screenwriter friend objected to the notion of taking an acting class, but I still think to this day it helped me get into the minds of my characters. It probably sounded silly when I suggested the benefit of watching pro-wrestling, but there’s so much instantaneous audience reaction it’s hard not to see what the masses like. And today I come to recommend to you the benefits of role playing.
No, not that kind, the kind with the dragons… Continue reading Peculiar Inspiration: Role Playing
Of the many skills that you need as a writer, few are as rare and yet necessary as time management. The ability to sit down, make the best use of your time, and churn out productivity despite anything that might get in your way is not something I’ve found in many writers I’ve known. In fact, if I had to pinpoint one of the chief things that makes life hard on a writer on a consistent basis, it’d be a tough fight between confidence and time management. Even our most innocuous events are about time management – NaNoWriMo every November is basically a trial of our ability to just consistently put words to paper and not get distracted for a full month.
But managing our own time isn’t the only struggle we have as far as schedules go. There’s another to be considered that rarely gets brought up. We may talk around it, but it’s such an abstract for us that it ‘s not usually on our minds. Sure, we have to worry about how we use our own time effectively, but that’s not the only time that our work has to navigate through. Because, once the work is out to the public, we also hae to worry about the time of our audience… Continue reading Your Reader’s Time
When I was a kid, there were these commercials where a kid would tell the story of the birth of Jesus and then would say at the end that it’s the “reason for the season”. Even as I type it now that little cherub-like voice rings in my head. The kid that narrated that is probably middle aged and doesn’t even remember doing it now even though I do. But the thing is, the kid was kind of wrong, because this season has always been important to people in the northern hemisphere.
People in recent years have gotten a bit upset over the concept of “Happy Holidays”, but when you look at the history of mankind this time of year is full of holidays. Saturnalia, Hanukkah, Yule, and so many other festivals crop up in the dead of the winter months. And for all the argument about Christmas, the fact is that none of these holidays is any less valid than the other because all of them are really celebrating the same thing. As the world grows darkest and the harsh winter months are still ahead of us, humanity banded together to celebrate one thing above all others… Continue reading Spirit of the Holidays
As the days grow shorter and the nights grow longer, we enter a time of traditions. The holidays are soon to be upon us, the stores are filling with decorations, people are starting to complain about the fact that Christmas shopping season “seems to start earlier every year”. For writers, this is the time of year when people new and old take an opportunity to challenge themselves by trying to write a novel in one month’s time. National Novel Writing Month is so ingrained into the culture that I do not personally know a single writer or writing enthusiast in my life who hasn’t taken a swing at the challenge at least once. And, while I myself tend to avoid rushing through word counts to meet these sorts of challenges, I’ve always had a tradition of my own.
Though I was hesitant at first, I’ve made a point in years prior to throw out some writing advice in November and editing advice in December. Though it’s often joked that everyone becomes a “guru” on the internet, it was never my intention to do this. Only after being nudged by friends did I even try to. Hopefully, over the years, I’ve said something useful to someone who was just taking their first steps into writing novels. If not, at least I hope it was entertaining to watch me try. Given the projects I need to get done before January, I’m not entirely sure how I’ll do this year. But, at the very least, there’s one lesson to be shared that I’ve been pondering lately.
Sometimes what motivates you is also what can derail you… Continue reading Short Term Motivation, Long Term Goals
There are times when trying to articulate what I’m saying can be a little harder than others. I know what I want to convey but that’s sometimes more grey than people would like. It’s so easy, especially in the modern era, to be labeled as the enemy by everyone because your nuanced position happens to be neither firmly in the black or the white. Too often, the two sides are unable to see that there are a lot more people who stand somewhere in the middle. And, a little over a year ago, I walked right into one of those conversations accidentally while in search of something to post to my blog. Before I knew it, I was receiving a swath of comments and messages regarding copyright and the legality of fan-works.
As a result of the conversation, I’ve spent the last year writing a series of posts responding to a litany of polarized views. But in responding to so many varied opinions not everyone actually understood what points I was making at the time I was making them. From addressing the moral superiority some people thought they had, to pointing out that fair use isn’t quite as sturdy as people on the internet hope it to be – I’ve been trying my best to respond to everything while keeping my own position as clear as I could. And, frankly, despite my best efforts I know that something this complicated is almost impossible to keep clear in short order. In fact, I’d even go so far as to argue that’s by design.
But, not too long ago, someone on Twitter sent me one final question that finally crystallized the reason I got into the conversation in the first place… Continue reading Creator’s Rights and The Public Domain
As a speculative fiction writer, I spend a lot of time looking into the roots of mythology and the ways that our genres have evolved over time. It’s easy to see a straight line that can be drawn from the stories of our ancestors to the stories we tell today – especially in fantasy where some of the same elements remain in circulation. And it’s certainly easy to see how some things we have today are derived from things that came from antiquity. Superheroes, though wrapped in contemporary trappings, are obviously comparable to the heroes of the ancient stories. In fact, frequently these heroes are so similar that you can slip those mythological characters into the mix and not have them seem out of place at all.
So it’s not too surprising that we often hear someone define comic books and fantasy stories as the “new mythology” that we create today. These statements, comparing the traits of the heroes of old to the stories of today, essentially say that today’s mostly secular culture has adopted superheroes to fill in the place that characters like Hercules had filled before. And this makes sense on many levels. It’s true that we make great productions about these heroes and that someday they’ll sit comfortably next to each other in the historical records of future generations. But one chief difference has always jumped out at me and makes it feel like the statement isn’t entirely accurate:
People thought the ancient stories were real, or at least plausible… Continue reading Monday Musing: Modern Mythology