You’ve completed your work. It’s not perfect and you can recall many nights where it seemed to be more of a hassle than you expected, but you’re certain it really was worth it in the end. The little bumps and rough spots throughout can be patched over in no time and you’re already thinking about how much people will love it. But one thing is truly standing in your way before you can get it to those people: you still have to edit the damn thing.
Those rough patches, a mark of late nights and caffeine fueled fever dreams, are more than just a little inconvenient. To you they’re excusable because you know the story behind each and every one. But to the audience, those are strange artifacts with no real reason to be there and only make you look like an unprofessional hack. Typos alone probably account for half of your work past sunset (or, if you’re really out there, past sunrise). And there are just some scenes that are needing some trimming or outright removal. The famous old adage rings through your head, “kill your darlings first”. You take a swig from your poison of choice – whether it be from Juan Valdez or Jack Daniels – and get ready to set about your grim work.
Just one question: how the hell do you know which darlings to kill? Continue reading Which Darlings Do You Kill?