Your audience’s expectations are a strange balancing act. People like the familiar, they cling to the well worn and comfortable, but they can just as easily reject something as being unoriginal. We’re hard wired to want something that we recognize but at the same time demand something new, meaning that we’re often put off by things that are either too familiar or too unfamiliar. And, generally, we go into everything that we read, watch, or play with some expectation of what we’re going to get and what we want from it.
You’re under no obligation to meet all of these expectations, of course, because it’s impossible to hit every single expectation thrust upon you. But, as I mentioned not too long ago, you shouldn’t just brush off those expectations either. If you prep someone to expect a payoff, you owe a payoff, and using someone’s expectations without intending to include a payoff is eventually going to backfire. So clearly there are two completely different kinds of expectations – those that work for you and those that work against you.
The question is: how do you figure out which are which? Continue reading Balancing Expectations