In a time when every studio needs to have their own franchise of interwoven properties, Universal studios came to answer it with their “Dark Universe“. Starting with The Mummy (a decision they may be regretting given the reviews), the plan was to have Universal bring together all of its major “movie monster” properties in the same way that Marvel and DC had been doing over the last few years. Bringing together the likes of The Mummy, Dracula, Frankenstein, and several other properties, the hope was to create something with the kind of cross promotional marketing power as an Avengers or Justice League.
But, while these properties are essentially chosen for their iconic status, they’re also chosen for being ostensibly within the same genre. They are, after all, old school horror icons which have been part of the cultural mindset for generations. Each of them, a movie monster that had been in film since the days before color, represent something with instant brand recognition. And for the longest time all of us have grouped them within our minds as being essentially a part of a single genre.
But this has always been something I have a bit of a problem with because, outside of the films, Frankenstein doesn’t really belong… Continue reading Monday Musing: Frankenstein’s Genre
Within fictional worlds filled with fantastic or alien civilizations, there’s a tendency for these other civilizations to be marked with very specific personality traits. Sometimes these traits even translate across similar races in both genres. Elves and Vulcans both come across as cold and detached but are actually fighting back something a bit more primitive. In places where there is more than one kind of “elf”, each of them will represent opposing philosophies that have somehow physically altered them. Orcs and Orc-like races across both fantasy and sci-fi settings are usually savage brutes with a penchant for violence. And you’re always going to find at least one race that is devoted to the accumulation of wealth – some more blatantly than others.
And from a certain vantage this comes across as disingenuous or even lazy. People aren’t so uniform and those things that are universal between us all aren’t so instantly identifiable. The human race has a great potential for savagery if left to our own devices. The accumulation of wealth can easily overwhelm some of us, but the rest of us are likely to see that person in a negative light. And, of course, as self-assured some of us can possibly be, the kind of people who approach the sort of arrogance or detachment you find in several fantasy races would just be considered assholes in the real world.
But to each of these, we have to remember to keep in mind (especially for writers): these characters aren’t human, and that can make all the difference. Continue reading Fantastic Lineages