(I hate that I have to say this, but this is a fictional account of the history of a fictional world. I do not believe these things, nor should you, as I am making them up. If I receive any comments that I did not do my research into these events, you will be mocked.)
In the Agent of Argyre series of books, there is an organization called the Alter Control Task Force. Though ostensibly an organization for policing activities of the Alter race, an attempt to prevent an eventual race war, they are actually representatives of a city-state on the ocean: The Republic of Argyre.
The Republic of Argyre, an artificial island anchored to an oceanic ridge in the pacific, is a city-state established by Alters for the sake of harboring their kind and establishing a relationship with the mainstream human population. Despite being an artificial island and attached to no primary landmass, the city’s structure is capable of potentially supporting all 12 to 15 million active Alters on the planet.
How did a race of people who’ve lived in hiding for centuries manage to construct such a city? Why would they build their city in the middle of the ocean? Where did they get the resources for such a task? In the Alterpedia Historia, we will answer these questions and discover the history of the Alters. Today we address… Continue reading Alterpedia Historia: The New Atlantis→
In the Alters’ World (and the Agent of Argyre series), creatures of legend reveal themselves to the world. Born through genetic abnormalities, defects and mutations, the Alters have lived for centuries as outcasts of human society, hiding their true nature from the world while colorful stories have been written by many to describe what they’ve seen. How are these creatures different from what was described in the stories? What relationship do they have with humanity? Every entry of the Alterpedia will delve into a new creature from around the world. This week we cover:Continue reading Alterpedia: Yeti→
In the Alters’ World (and the Agent of Argyre series), creatures of legend reveal themselves to the world. Born through genetic abnormalities, defects and mutations, the Alters have lived for centuries as outcasts of human society, hiding their true nature from the world while colorful stories have been written by many to describe what they’ve seen. But not all legendary creatures can be accounted for by human mutations. Some have been cryptids, misinterpretations of strange beasts or creatures simply lost to time. Though records of these creatures have often fallen to legend, Alter kind has made efforts to preserve the few they can. Today, in the Alterpedia Zoologica, we cover:Continue reading Alterpedia Zoologica: Qilin→
Over the last few years there’s been something of a shift in the culture around us. In a day and age where nostalgia properties reign supreme, it’s hard to imagine that the same properties no more than a few years ago were often considered deeply “niche”. Superheroes were considered low brow entertainment meant only for children and basement dwellers before suddenly becoming the dominant movie genre for the last several years. The Lord Of The Rings was once thought to be in the same category, familiar to children and to nerds who spent too much time playing Dungeons & Dragons. Then it became a phenomenon that a studio drove into the ground with an attempt to turn the “prequel” into a franchise unto itself.
Despite this, when you look at the entertainment industry you’ll often find that speculative fiction works still feel like they’re not allowed to sit at the adult table. There is a rush to get some works out even when they shouldn’t because that’s generally what the industry does when they don’t understand a current trend. But if you look at what gets the awards, the recognition, and the respect it becomes clear that we’re still kind of the oddballs. A few years ago I saw several entertainment industry insiders, particularly literary agents, say that sci-fi needed to minimize the “science” aspects to succeed – something they defined as a “new sci-fi”. You’d think the attitude is gone, but on multiple occasions I’ve encountered it again. For all intents and purposes, the current successes of speculative fiction are considered a temporary trend.
Yet, if put on the spot and asked to name a worldwide success in the last 20 years in any form of media, the first thing to spring to mind would probably be in one of those “niche genres”. That’s not true for everyone, and you may certainly associate “critical acclaim” with “worldwide success”, but when you think of a true phenomenon it will almost always be something that is marginalized by the same critics. Sometimes it’s argued to be a matter of “depth”, but some of the deepest stories that spring to mind are also within those genres. It’s a disconnect that sometimes makes you wonder:
It’s been weeks and you just can’t shake the feeling. You met with your friend at that party not too long ago but something was different. You can’t quite put your finger on it, but it didn’t sit right with you. They didn’t seem like themselves. Maybe it was the drinking, or the night’s festivities. Maybe it was even the outfits.
But whatever it was, you’re fairly sure, that was not your friend doing that keg stand while a dozen people, men and women, dressed as Wonder Woman chanted their name. They insist they’re still the same person, even tried to prove to you that they knew your secrets – even that one about the dream you swore them to never tell anyone ever again. But, in the days since the Equifax breach, you just can’t be too careful. Sure, you’ve locked your credit. You’ve gotten identity theft coverage. You’ve been doing everything you can to be absolutely secure. But let’s face it, there’s no way to be sure anymore that someone isn’t stealing from you at this very minute – and they could have found all that information somewhere else. So now, as you’ve taken every sane precaution possible, one last thing has to be investigated…
What if your friend’s been replaced by a Shapeshifter?
In the Alters’ World (and the Agent of Argyre series), creatures of legend reveal themselves to the world. Born through genetic abnormalities, defects and mutations, the Alters have lived for centuries as outcasts of human society, hiding their true nature from the world while colorful stories have been written by many to describe what they’ve seen. How are these creatures different from what was described in the stories? What relationship do they have with humanity? Every entry of the Alterpedia will delve into a new creature from around the world. This week we cover:Continue reading Alterpedia: Shapeshifters→
Sometimes there are elements in the real world which are too ripe with material to pass up for a fiction writer. As many often say, the truth can be stranger than fiction. But sometimes there are things in the world we can’t exactly define as truth or fiction which can be even stranger. Urban legends and the fields of cryptozoology are full of stories like these – stories where it sounds like bullshit, but something about them makes it feel more tangible. Sure, these things are only really believed by people on the fringe, but they seem to be based on something and every once in a while a creature jumps from legend to reality when they’re confirmed. So, while such a thing still existing in the modern age seems pretty unlikely, there are always some true believers. Plenty of people will swear to the existence of Big Foot, the Loch Ness Monster, or Chupacabra and there are a lot of people who will believe in UFOs well into the future. Each of these is of questionable validity, but is trying to explain something people have actually seen, and speaks to something of the human experience.
And for regular visitors to the blog you’ll know I included an urban legend in the alternate history of my books just last Friday. The “men in black” have long been part of pop culture and have been at the heart of conspiracy theories and ufology for at least 70 years now. But for most people the term is inseparable from the charming franchise of movies based on the legend. For the people most familiar with that depiction and the basic idea of where the stories came from, it may be strange that I included them into a world centered more on creatures from folklore.
As a speculative fiction writer, I spend a lot of time looking into the roots of mythology and the ways that our genres have evolved over time. It’s easy to see a straight line that can be drawn from the stories of our ancestors to the stories we tell today – especially in fantasy where some of the same elements remain in circulation. And it’s certainly easy to see how some things we have today are derived from things that came from antiquity. Superheroes, though wrapped in contemporary trappings, are obviously comparable to the heroes of the ancient stories. In fact, frequently these heroes are so similar that you can slip those mythological characters into the mix and not have them seem out of place at all.
So it’s not too surprising that we often hear someone define comic books and fantasy stories as the “new mythology” that we create today. These statements, comparing the traits of the heroes of old to the stories of today, essentially say that today’s mostly secular culture has adopted superheroes to fill in the place that characters like Hercules had filled before. And this makes sense on many levels. It’s true that we make great productions about these heroes and that someday they’ll sit comfortably next to each other in the historical records of future generations. But one chief difference has always jumped out at me and makes it feel like the statement isn’t entirely accurate:
Speculative fiction, being that it is purely speculative, is an evolving set of genres. Science fiction and fantasy are generally meant to be fluid and will reflect the times they were made in quite often. And because of this a great many variations will appear within the genre for things that everyone happens to share. What are the differences between Orcs and Orks? How many kinds of vampires are there actually? How distantly related are Legolas and the Keebler Elves?
Sometimes these differences are pretty profound, other times they’re almost non-existent. But what I’ve found most often is that the differences are generally discouraged if a specific work has reached an iconic status. Vampires have had dozens, if not hundreds of variations over the years, but many of the traits which are accepted as “canon” were originated either within Bram Stoker’s Dracula or the movie adaptations to follow. This is strange, because it means the original source material, the folklore, is generally forgotten in favor of variations on a theme of Dracula. It’s because of this that I personally went out of my way to include several variations of vampire in my stories and bring back old bits of lore that are often forgotten – like the fact a vampire can’t cross certain materials without counting every grain in their path.
The funny thing is that, in my world of sci-fantasy reinterpretations of the mythological as biological creatures, I’ve had a few run-ins with people who felt that I had somehow been “wrong” to change the lore. As one person said to me very early on, “I prefer my version”. It’s not the only feedback you get, but it’s one that you realize is quietly prevalent. Though some books and movies get away with it because they’re popular, if something has flaws, it will be immediately criticized for getting the lore “wrong”. Hell, at one point even I took part in doing this before realizing the flaw in my thinking.
Throughout speculative fiction of all genres, be it fantasy or sci-fi, we have certain tropes that are universal. There’s generally an ancient forgotten civilization, a more war-like race, some benevolent watcher species, and a species or individual with some sort of supernatural power. These supernatural powers have a variety of manifestations and uses, but some of the most common across all genres are powers of the mind. The ability to hypnotize, read minds, or see into the future are in almost all branches of these genres and will likely be there until the future they claimed to see finally comes to pass.
And why wouldn’t they be? The concept is fascinating on so many levels. We’ve even tried to see if it was possible in the real world, and found that it probably wasn’t (at least on this world). People still insist that they can do it though, often using cold reading techniques and research to try to fake the talent, and continue to keep the ability right on our collective minds. For every story where someone claims to be able to speak to the dead there are at least a dozen or so real world people who are claiming to do exactly that. And as a result these concepts are an inexorable part of our culture and will be for some time to come (maybe even forever).
But on a writing level, there are problems presented with such powers, problems which often result in a whole other set of tropes that are used as a compromise. It wouldn’t take very much effort to find episodes of shows where the psychic cast member has somehow been stripped of their powers or are somehow nullified. The entire point of Minority Report, both the movie and the original story, was whether or not these perceptions should be trusted. And almost every one of the X-Men movies has found a way to completely remove Professor X’s powers from the equation.